New Wave Cinema in Post-Communist Romania
This course will look at four contemporary Romanian films. Following the fall of communism in 1989, Romanian cinema experienced a revival, consolidating in the 2000s an austere, realist and often-minimalist style to great international acclaim. The films covered by this course deal with: the revolution of 1989; communism in the 1980s; the collapse of public services during democracy; and everyday life in present day Romania. The course will pay equal attention to subject matter and aesthetics in order to explore how these films are representing the 21st century Romanian experience, and pushing the boundaries of international cinema.
Dates: 11 January – 22 January
Times: Mondays, Wednesdays and Fridays from 10am-12pm (plus four screenings)
Location: CGIS Knafel Building K108
How to Make a Book: a Practical and Historical Overview
From tomb inscriptions in Ancient Egypt to the Kindle sitting in your hand, books have taken many forms over the history of humanity. In this course, learn how to books came to be: how language and writing evolved in our ancestors, how ancient human societies recorded information, how technology for the preservation of information developed (from papyrus to movable type), and how the meaning of “book” is changing before our eyes in the digital age. Conclude by learning how to make your own hand-bound book over a series of three workshops, using traditional materials and techniques.
January 19, 20, 21, 22, 23: 2:00-3:30 (with optional discussion 3:30-5:00)
The lectures and discussions are open to anyone (Jan 19, 20), but the book-making workshops (Jan 21, 22, 23) are limited enrollment due to material cost.
OPEN TO ALL WHO SIGN UP:
Mon. 18 Jan:
2:30-5:00: Lecture/Discussion, CGIS Knafel K108
Tues. 19 Jan
2:30-3:45: Lecture/ Discussion, Barker Center 114
4:00-5:30: Tour of Special Collections at Houghton Library (Medieval Manuscripts)
WORKSHOP PARTICIPANTS ONLY (WAITLIST OPEN)
Weds. 20 Jan
4:30-7:00: Printing Press Workshop, Bow and Arrow Press (Adams House)
Thurs. 21 Jan
2:00- 5:00: Bookbinding Workshop, Bow and Arrow Press (Adams House)
Fri. 22 Jan
10:00-1:00: Bookbinding Workshop, Bow and Arrow Press (Adams House)
Ghosts in the Machine: Computers and Film
This discussion-based course explores select themes in the cultural history of the computer through an examination of classic and not-so familiar cinematic representations of computers and selected readings from computer pioneers, philosophers, historians, and science fiction authors. Films offer a window into the wider cultural life of computer devices: as banal machines, imaginative technologies, and objects of criticism and philosophical contemplation.
The class alternates between discussions and in-class screenings, meeting January 11-22: MTWThF in Science Center 469 (with no meeting on the Martin Luther King Jr. Holiday).
Myths of the Mind and Madness - A Scientific Review of Abnormal Psychology
Dianne Hezel and Christopher Rutt
Despite the high prevalence rates of psychological disorders in the United States, the topic of mental health is frequently misrepresented in the media and popular culture. This mini-course, offered by two advanced graduate students in the clinical psychology doctoral program, is designed to provide a practical perspective of abnormal psychology as informed by scientific research. Goals of this course will be (1) to introduce a range of mental health disorders, (2) to dispel common myths about psychopathology and psychotherapy, and (3) to provide an introduction to the leading evidence-based interventions for mental illness.
January 12-13, 19-21 from 3-5pm in William James Hall, in room WJH 950. This class is open to everyone.
When Art Makes Music, When Music Makes Art…
Hayley Fenn and Sam Shapiro
The Beasts Within
Jack Boyle and Seth Donoughe
Animation + Revolution: World Cinema and the Animated Avant-Garde
This course attempts a broad survey of animation in the global context of the avant-garde, with a particular emphasis on the former USSR and Japan, as well as former Czechoslovakia, the US, and the UK. In particular, the course looks at a fascinating range of animations that are often unknown to contemporary audiences, especially those which might seem a little strange, or a little “off”-modern: films such as Svankmajer's Alice (1988), Yuri Norstein's Hedgehog in the Fog (1975), or Yamamoto Eichii's Belladonna of Sadness (1973). The films shown in class are often surreal or bizarre, yet always visually mesmerizing and aesthetically revolutionary. After screening films, the class will discuss such questions as: why did these directors choose animation over live action as a mode of expression? How was the form of each film affected by its political climate? How can both the form and content of an animation be politicized, and what does it mean for an animation to be truly “avant-garde”? Such concepts will be considered in what aspires to be both a relaxing night watching films, accompanied by dinner (brought by one's self) and/or light snacks (provided), and an intriguing discussion about the revolutionary potential of animation. Jan 11-15, 18-19. 6-9 PM Location: Dana Palmer Seminar Room
Why haven`t we cured cancer yet? Insights from evolution, ecology and paleontology
Maurizio Fazio and Ellen van Rooijen
Every passing second an American dies of cancer. Why is this disease so hard to cure? Evolution, ecology, and paleontology offer us new paradigms to tackle this complex problem. We will explore what geographical speciation of birds can teach us about metastasis, how studying species extinction can help us design more potent and less toxic cancer treatments, why new immunotherapies are successful despite tumor heterogeneity, and how post-apocalyptic TV shows like The Walking Dead parallel emergence of drug resistance.
January 11, 13, 15, 20, 22, 6.30-8 PM
Location: 60 Oxford street, Lecture Hall 330
Improving Presentation and Communication through Improvisation
This course aims to give an introduction to improvisation as a foundation for a variety of presentational and communication skills. Giving a talk, teaching a course, and participating in a discussion all benefit from improved clarity, specificity, and accessibility, all of which are skills that spring directly from improvisational training. No experience necessary! This class is entirely based on participation, so come ready to perform (only for each other.) January 11-15(MTWThF) 1-3pm, at Jefferson 250 .
This course is open to everyone! However, due to the limitations of this format, the class will be capped 14. Enroll here.
Introduction to Argentine Tango: Culture, Music, and the Dance
MagicalMonstrous: Fantastical Adolescence in Japanese Animation
Japanese animation, or anime, is a pop-culture phenomenon that has captured international attention. Across the world, fans of various ages, ethnicities, creeds, and socioeconomic backgrounds clamor for anime media and merchandise. Creative in ways both narrative and aesthetic, anime offers audiences a unique experience worthy of academic consideration. Acknowledging anime’s cultural and economic importance, this course attempts to dig deeply into a significant facet of the art form: gender and adolescence are indelible in anime. Grounded in cultural anthropology and media studies, this course explores how anime serves as a critical artistic negotiation of these gender, youth, and sexuality. As a class, we will investigate anime as an art form that reflects Japanese sexuality and gender norms, but also offers moments of resistant renegotiation with such norms. Classes will cover a range of topics, including, though not limited to, childhood and adolescence in Japan, the history of anime, gender theory, gender and sexuality in Japan, and the sci-fi and fantasy genres. Screened media will include: Bishōjo Senshi Sērā Mūn/Sailor Moon, Shōjo Kakumei Utena/Revolutionary Girl Utena, Ranma 1/2, Shingeki no Kyojin/Attack on Titan, Shin Seiki Evangerion/Neon Genesis Evangelion, Akira, Mahō Shōjo Madoka Magika/ Puella Magi Madoka Magica, RahXephon, Tetsuo, Gandamu Wingu/Gundam Wing, Den'ei Shōjo/Video Girl Ai, Bugīpoppu wa Warawanai Boogiepop Phantom. No experience with Japanese language or media is required.